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	<title>Despoke &#187; Halloween Design</title>
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		<title>‘Halloween’ for Despoke By Phil Nutley</title>
		<link>http://www.despoke.com/2009/10/30/%e2%80%98halloween%e2%80%99-for-despoke-by-phil-nutley/</link>
		<comments>http://www.despoke.com/2009/10/30/%e2%80%98halloween%e2%80%99-for-despoke-by-phil-nutley/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 14:32:18 +0000</pubDate>
		<dc:creator>Mark</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Editor of the Month]]></category>
		<category><![CDATA[Antonio Cagianelli]]></category>
		<category><![CDATA[Corridor]]></category>
		<category><![CDATA[Halloween Design]]></category>
		<category><![CDATA[PAD London]]></category>
		<category><![CDATA[Phil Nutley]]></category>
		<category><![CDATA[Skulls]]></category>

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		<description><![CDATA[Turning back the clocks denotes one old tradition, Halloween. It&#8217;s origins date back from the ancient festival known as Samhain (pronounced sow-in or sau-an), which is derived from Old Irish and means roughly &#8220;summer&#8217;s end&#8221;. For me, it&#8217;s the appeal of finding those extra pair of werewolf feet from a pound store, it&#8217;s rekindles my [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-medium wp-image-1208" title="IMG_8983" src="http://www.despoke.com/wp-content/uploads/2009/10/IMG_8983-300x200.jpg" alt="IMG_8983" width="300" height="200" /><br />
Turning back the clocks denotes one old tradition, Halloween. It&#8217;s origins date back from the ancient festival known as Samhain (pronounced sow-in or sau-an), which is derived from Old Irish and means roughly &#8220;summer&#8217;s end&#8221;. For me, it&#8217;s the appeal of finding those extra pair of werewolf feet from a pound store, it&#8217;s rekindles my earliest memories of watching Fred, Daphne, Velma, Shaggy and Scooby, running stage right from a Blue Peter made ghoul.<br />
<span id="more-1207"></span></p>
<p>The season always brings out the terrible horror flicks, and the Hammer House of Horrors still gets me diving behind the sofa.</p>
<p>I&#8217;ve always enjoyed the way we scare ourselves with what amounts to our chassis, the skeleton. Hang a few of them around the house, don&#8217;t dust for a few months, and do your best at dissecting a pumpkin, and hey voila!<br />
A recent visit to PAD London, brought me to meet Italian artist Antonio Cagianelli, whose oversized skulls were a reminder of our fascination with death and the symbols we annually decorate our environment with at this time of year.</p>
<p>Antonio tells me, his current project involves, transferring his own three-dimensional creations by using the language of marginality and fragility of young metropolitan communities, Trick or treat anyone?</p>
<p>More info on Antonio:<a href="http://www.artnet.com/Galleries/Artists_detail.asp?G=&amp;gid=425114098&amp;which=&amp;aid=425123380&amp;ViewArtistBy=online&amp;rta=http://www.artnet.com">here</a></p>
<p>Phil runs Corridor with Christian Inkpen more info here:<a href="http://seecorridor.blogspot.com/">seecorridor.blogspot.com/</a></p>
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