After our foray into South American design yesterday, today let’s bring things a little closer to home and take a look at some of the european design talent on display here at 100% Design. First Up, Norway…

Having won three Blueprint Awards at this year’s exhibition, Norway has once again proved itself to possess a host of cutting edge design talent. This year the 100% Norway exhibition has surpassed itself with what they claim to be their most impressive and inspiring collection yet. The work of six individual designers as well as 6 Norwegian manufacturers is on display, making for a diverse mix of pieces that have been curated with an undeniably seamless elegance.
The work in the collection ranges from modern twists on traditional themes to unique contemporary objects. All of the products are bound by their sustainable and innovative qualities. An expressive use of colour, fine craftsmanship and attention to detail are all qualities typical of Norwegian design, strongly evident in this year’s 100% Norway collection.
After years of successful showcases at 100% Design, having had a presence at the exhibition ever since the show first opened ion 2006, it has been clear that the Norwegian design scene is continually blossoming. Henrietta Thompson has been curator of 100% Norway every year and she notes with pride that Norwegian design continually surpasses her expectations. So what is the secret to Norway’s growing design success? Thompson explains; “Well made beautiful and functional products and furniture are an integral part of daily life in Scandinavia. Sweden, Finland, Denmark and Norway have all developed a reputation for making products and furniture that provide elegance and timeless simplicity while at the same time keeping an eye on the environment.”
So let’s take a look at some of the work on display at this year’s 100% Norway showcase:

Figgjo: Figgjo returns to 100% Norway for the first time since 2008 launching three new ranges all designed by ceramist Olav Joa.
Skogstad / Anderssen & Voll / Homstvedt: ‘Bowling’ (above) is a series of wooden bowls; “The thickness of the material is pushed to the very minimum and grows organically into a soft gripping rim at the top edge.”
Magnus Pettersen: ‘Tint’ is Pettersen’s latest work, a lamp created using materials more commonly associated with architecture; glass and concrete. Yet the design takes the edge off the industrial due to the smooth, tactile lines and unusual colour palette.