Looking through the new Zuzunaga lookbook for 2017 is like being accosted by a giant colour chart – art meets design meets homeware meets fashion. We love it. Founded by well known design collaborator, artist & designer Cristian Zuzunaga, the brand and products are a reflection on what it means to be human today.
British brand Burleigh pottery has taken shapes and designs from its archives to create a new range, which celebrates the UK’s love of flowers and horticulture.
Burleigh has been perfecting its craft for over 160 years. Established in Stoke on Trent in 1851 and world famous for its blue and white ceramics, which are hand made in England using traditional craft techniques. Its bestselling ‘Asiatic Pheasants’ design has been loved by generations and has been made in the same way since 1862. We are loving these new simple designs that celebrate a pared back look, letting the flowers do the talking.
We are particular fans of this large castor jug which has a traditional font and would look perfect on a plain country style kitchen table or on a modern glass topped one.
Burleigh is the only pottery in the world to decorate using tissue transfer printing from hand engraved copper plates. Above is a swan vase design, dating from the mid 19th, which is retiling at £140.
To buy and for more information, click here.
Each year, Print Club London invites talented artists and illustrators to create alternative, screen-printed posters for the films shown at Film4 Summer Screen. The film showings take place at the stunning Somerset House under a hopefully summer-star-filled sky (probably a bit of rain let’s be honest.)
CDW2016 opened today which still gives you tomorrow and Thursday to head down- beautiful! Make sure you get round the hundreds of brands that will be there, but keep an eye out too for CDW Presents– some great street installations and more.
A CDW stalwart, Giles Miller will be there with his billboards. Working with the concept of ‘wayfinding’, Giles Miller Studio has produced a series of large scale abstract signage sculptures. Square glass tiles have been composed to create a centralised ‘swoosh’, featured in each sculpture, designed to subtly evoke the movement of visitors to the next festival destination. The functional sculptures have been produced in collaboration with British Ceramic Tile, who are celebrating the launch of their new London Hub in Clerkenwell during the festival.
A unique space at the heart of Clerkenwell, Brewhouse Yard is temporarily transformed for CDW into a gateway to the area’s showrooms, sponsored by Kinleigh Folkard & Hayward. Two site-specific installations – designed by leading architecture practices Studio Egret West and BDP – take on the subterranean surface and elevated levels of this key public space. At the apex of Brewhouse Yard, an information point and pop-up coffee shop in association with OnOffice magazine are accompanied by temporary public seating provided by Marshalls.
Designed and built by GSCE students, the Future of Design pavilion is CDW’s first education and community project. The project aimed to inspire more young people to take up careers in the creative industries and was developed through a series of workshops run by Scale Rule, a local collective of architects and engineers, and supported by Clerkenwell’s AKTII and Grimshaw. The project was realised through the donation of material from Hanson Plywood Ltd. and the help of Library of Things.
In collaboration with Dutch wood flooring manufacturer Hakwood, FleaFollyArchitects have designed and created ‘HakFolly’, a 4.5m high temple of timber located within the historic St John’s Gate. Inspired by a visit to Hakwood’s factory in the Netherlands, HakFolly is a stacked timber structure that aims to create a fleeting moment of calm, in reference to Clerkenwell’s monastic past.
The Museum of Making is designed by White Arkitekter with engineering from Price & Myers. Built of EQUITONE materials, with flooring supplied by Esthec Terrace the museum is a deconstructed barn and will function as a live social space dedicated to the art of making. Archival exhibits from the Museum of London will be displayed alongside the work of contemporary makers practising in Clerkenwell today. The museum will host daily participatory workshops by The Goldsmiths’ Centre, Craft Central and Thomas.Matthews.
Register for free to see these delights here.
Now in its 4th year, Art16 returns to Olympia London from 20 – 22 May 2016. Since its inaugural edition in 2013, Art16 has become a highlight of London’s cultural calendar and kicks off the summer season with an edit of international artists and galleries from more than 30 countries from around the globe. Here are a few of our faves pieces and/or exhibitors.
Huang looks at the modern day media we are fed and asks if we are really affected y other stories and events happening on the other side of the globe. Huang will be exhibiting via the Aki Gallery in Taiwan.
Mandy Barker takes images of all the detritus that is washed up onto the beaches of Hong Kong. This particular image of lighters took over 3 years to photograph and layer. Barker will be at Art 16 with the Artitled gallery from the Netherlands.
British gallery Bo.Lee will be at the fair with a range of artists including Bobbie Russon with her unsettling oils on canvas, depicting her sense of a lost childhood.
USA gallery Klein Sun, represent artists from the Far East, including Wei Dong- a figurative painter whose canvasses reveal influences pertaining to the Cultural Revolution and his time spent living abroad in the U.S.
UK based Rook and Raven represent Eileen Cooper, the first female Keeper of the Royal Academy, since it was established in 1768. Sometimes described as a magic realist, Cooper brings an unapologetically female perspective to her subject matter, which encompasses sexuality, motherhood, life and death.
For more information on ART 16 and to buy tickets, click here.