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Images Transparency + Transparency 2.

Materia– transparency and openness reflected in design features as well as in internal communication.

Design Management is by my definition

” The strategic coordination of architecture, interiors, graphic design, communication and co workers in order to stregthen the brand and the companys identity and position.”

Despite all the theories that surround design practice I have always had a pragmatic, practical way of approaching Design Management.

In practice, design should permeate all processes within the company. Within my former company Materia no important decisions were made without design consideration. High and low, to me it is a matter of authenticity and originality.

Design Management is a learning process reflected in transparency and openness in design features as well as in internal communication. Fully implemented Design Management will serve as a powerful and clear link between vision and daily activities.

Last but not least. I am convinced there is a direct link between corporate climate and profits.

Lars Bülow
Brand and Design Director Lammhults Design Group
LAMMHULTS will be exhibiting at this years 100% Design more details HERE.


Designers Bo Lindekrantz & Börje Lindau

Lammhults poster by HC Ericson

Easy chair S70 designed by L&L 1968

Easy chair S70 designed by L&L 1968

After 20 years with my own company Materia I started with Lammhults in January this year.
Frequently I have been asked:

I thought you would retire- so why Lammhults?

First. As a passionate and ideas-driven professional you never quit voluntarily.
So when I was asked to join the Lammhults Design Group I didn´t have to think about it for too long.

To me Lammhults has always been the number one Swedish design brand. Once ”best of the best”, the dream partner for every designer with ambitions. During two decades Lammhults was the essence of Design Mangement, directed by the legendary Kenneth Ståhl.

Their successful design story started in 1965 when the company produced oil burners for the energy industry. The forward thinking management realised that:

A clever mouse needs two holes

(Strindberg quote).

Spreading risks they decided to start producing tubing furniture and contracted the talented young design team Börje Lindau & Bo Lindekrantz. This fruitful collaboration lasted for 25 years.
With the added skills of graphic designer HC Ericson and the interior designer Jill Dufwa Lammhults got its creative dream team together for the 80s.

Disregarding current style Lammhults went their own way creatinng their own design alphabet. These achievements are the heritage and also the platform for the company Lammhults to move forward.

Lars Bülow
Brand and Design Director Lammhults Design Group

LAMMHULTS will be exhibiting at this years 100% Design more details HERE.

Michael Young Answers Despoke’s Questions


What made you want to become a designer in the first place?
A lack of other options as I was quite unemployable , I guess when I was younger I was just slightly A.D.D and also hated authority , I recently got given an old school report from my mother and it started off with : ” If only Michael had the ability to read and write he could make some progress in class “

So the arts beckoned early on ….

Where did you study design?
Kingston Poly but I went there because I saw a joke on the toilet wall which said
” What happened to Bernard’s personality ?” And later that day I met this fat kid
called Bernard and it clicked and I have been laughing ever since.

What was the first thing you designed?
I guess it was a small woven light which sold very well , I had a few ex girlfriends weaving them , like a sweat shop.

How do you define good design?
Good design is a holistic experience where process , material and economy are combined together well.

What would you be if not a designer?
I quite like mundane tasks like moving boxes or gardening , a gardener would be nice.


Which design of yours are you most proud of and why?
The new Bramah light for EOQ , because it makes complete sense extrusion can make endless shade forms and it’s giving amazing light , you see all of these lights now where one thinks about the light quality ..this has great light.

Anything in your career you wish you’d done differently?
Oh plenty but I live thru design as an open dialogue so I bare my mistakes well and if you do some good things then you’re entitled to do some bad things , we all learn as we go …

Which designers do you most admire?
I tend to avoid talking about design and the industry, I’ve had most of the conversations you can have for 20 years, for professional reasons I get involved when I need to. I’m looking forward to meeting up with Ross Lovegrove on this trip as we get on well together and it’s fun….


Which product do you wish you’d designed/do you think is an example of good design?
The E-Type Jag , captured a great moment in time. Also several Hans Wegner chairs , im a big fan .

At 100% Design you will be running a seminar called :
From Shoreditch to Sheung Wan and back’ can you tell us a bit about what this will cover?

When I moved to China I put a logo on my door which said “FROM SHOREDITCH TO SHEUNG WAN ‘ . Before Shoreditch became what it is now I lived in a cellar in Redchurch Street with damp and rats and i’d bump into Michael Marriot , a big smile chipping down the road on a daily basis really , so it was a charming time , we were all skint and any object you found that was useful improved your life , it was great. Sheung Wan in Hong Kong when i arrived was like that , full of locals and now you cant move for coffee shops …so its really about going full circle via design making gentrification …if you know what I mean.

You can see Michael Young at 100% Seminars at 100% Design this September
details here :

Thomas Heatherwick: the man who designed the Olympic cauldron


Powered by article titled “Thomas Heatherwick: the man who designed the Olympic cauldron” was written by Alex Needham, for on Monday 30th July 2012 13.16 UTC

Since his emergence in the late 1990s, the work of designer Thomas Heatherwick has been hugely acclaimed. He was called "the Leonardo da Vinci of our times" by his mentor and fellow designer Terence Conran.

However, it is Heatherwick’s design for the Olympic cauldron that has made him a household name. When the cauldron, codenamed Betty, was lit by seven young athletes, and its 204 copper "petals" rose to create one huge flame, it caused jaws to drop around the world.

Heatherwick revealed that his cauldron was made in Yorkshire in what he described as "the most sophisticated shed in Harrogate … like the Bond gadget workshop".

Though the secrecy surrounding it was so complete that the young athletes lighting it didn’t even tell their parents, the design was cheekily hidden in plain sight on wallets for the tickets to the opening ceremony.

Here, Oliver Wainwright of Building Design compares Heatherwick’s Olympic torch to its predecessors.

Reading this on a mobile? Click here to view

Heatherwick’s work is currently the subject of a retrospective at the V&A in London. He took the Guardian’s Steve Rose on a tour of it in May. Read Rowan Moore’s review of it here.

Nicholas Wroe interviewed Heatherwick about his career just before the show opened in May. We also made a gallery of his studio’s most famous designs.

In February, Heatherwick’s redesign of the London bus was revealed to acclaim, though only eight of them are currently on the roads.

His design for the UK pavilion at the Shanghai Expo in 2010 won the gold medal and ended up on the cover of the last album by cerebral dance act Junior Boys.

Before the Olympics, Heatherwick’s involvements with sport had been less happy. B of the Bang, his sculpture to commemorate the 2002 Commonwealth games, had to be dismantled after fears that its spikes – one of which fell off – could present a danger to passers-by.

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WOW ! Seminar Programme at 100% Design


100% Designed announced last week an amazing line up for their Seminar programme including:
Yves Behar, Stephen Haggarty (Hunt Haggarty), Vicky Richardson, Michael Young, Matt Hunter (Design Council) , Chris Sanderson (LS:N Global), Dan Hopwood (BIID), Christine Murray (Architects Journal), Simon Woodroffe (YO! home), Marcus Fairs (Dezeen) and more…

More Details Here:

V&A to open new Furniture Gallery.


Model 4801, Chair, Joe Cesare Colombo (Designer), Kartell (Manufacturer), 1967-70. Museum no. CIRC. 214-1970
The Victoria & Albert Museum is set to open a new furniture gallery in December, with interior and exhibition design by Nord Architecture and interactive design by Allofus and the V&A’s in-house team. The gallery will feature interactive display tables as well as touch-screen digital labelling for objects on display.
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Forethought Season at KXFS Opens Tomorrow


Tomorrow The “Vauxhall Ampera Season”, the first programme of cultural activity at the newly unveiled King’s Cross Filling Station (KXFS), London’s latest landmark is launched. The six-month programme will explore emerging ideas within modern culture, encompassing popular science, future technology and new thinking through a series of five projects and commissions.

The season begins with the Forethought Series, 10th – 12th July. Running over three evenings, three very different partners each present a night of thought and ideas, exploring how technology and science are changing our lives.

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Casper Mueller Kneer presents Kai Schiemenz / Islands of Swarm

PayneShurvell presents an exciting collaboration between Berlin-based artist Kai Schiemenz who produces walk-in sculptures or ‘containers’ which invite the viewer in, and the architects of the White Cube Bermondsey, Casper Mueller Kneer, based in London and Berlin.

Architectures aren’t containers for human needs – but needs and humanities are being generated by architecture. Buildings aren’t neutral boxes for communities, but communities are being formed and governed by them.”
Kai Schiemenz

In a timely exhibition, Kai Schiemenz and Casper Mueller Kneer examine the role of stadiums, auditoriums and associated architectures – historic, contemporary and imagined buildings, all of which organise crowds in circular ways.
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HOME a public art work for Peckham by Julia Vogl

27th July to August 12th PECKHAM SQUARE Open daily 11am-7pm

Julia Vogl In partnership with Southwark Council, Peckham Settlement, Peckham Space and Resonance FM. Supported using public funding by the National Lottery through Arts Council England.

As a society we are less fixed on living in one place. HOME is a large scale public art work, audio and visual, reflecting Peckham residents’ ideas of why this city is home. The outcome will be a community built multicoloured brick like public living room. Community interviews will become mp3 tracks embedded in the structure so the public can hear different concepts of home (on headphones). The colour code will reflect the time interviewees have lived in Peckham.
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Monorex present: Secret Walls Pro Series at New Designers Tomorrow


Graffiti artists, graphic designers and illustrators wage a black and white war at New Designers at a high energy, up-beat and spontaneously creative late night event on Thursday 5 July at the Business Design Centre, London N1. Secret Walls Pro Series, presented by creative agency Monorex, comes to London’s most exciting graduate design exhibition to pitch pen against paint, art against artifice, graphics against graffiti.

Debut Arts, one of the most prolific creative agencies in the industry, will battle it out against graduate designers representing the cream of the crop of the college and university graduate exhibitors. In front of a large and vocal crowd of critics and two guest judges, the artists have just 90 minutes to create an artwork on the battle wall – the winner determined by decibel reader.

The atmosphere is Electric, Garage and House, thanks to some top DJs. Ink and drink will be flowing! ‘This special Secret Walls Pro Series event gives new artists a chance to collaborate and for the visitors to see something different,’ says Andrew Kelly of Monorex. ‘Our aim is to create awareness for the hugely talented designers who are launching their careers at New Designers so that the audience sees something completely different that hasn’t been done before at the show – indeed at any show. It’s going to be a great talent spotting platform and it’s a different medium for promotion.’

Thursday 5th July Business Design Centre, Islington, London N1 Time: 6.30pm
Entrance: £14 on the door or £9.50 + £1.50 in advance.
Box office and booking line: 08448 480140

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Something For The Weekend: Everything Flows a Moving Image Show at De La Warrant Pavillion Bexhill on Sea.

Dryden Goodwin Poised

30th June – 16th September 2012

EVERYTHING FLOWS The art of getting in the zone De La Warr Pavilion, Bexhill On Sea, East Sussex, UK Admission free

To coincide with the London 2012 Olympic Games, Film and Video Umbrella and De La Warr Pavilion present four newly commissioned moving image artworks on the theme of sporting excellence. Working in collaboration with top athletes and scientists, internationally acclaimed artists Dryden Goodwin, susan pui san lok, Roderick Buchanan and Matthew Cornford and David Cross all consider the state of being ‘in the zone’ – the way in which athletes achieve a heightened sense of performance in which body and mind are operating in unison, at maximum impact and with optimum ‘flow’. Everything Flows: The art of getting in the zone opens at the De La Warr Pavilion on 30 June 2012 and admission is free.
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New Designers 2012 opening today Wednesday 27th June 2012

Felix Mc Cormack Spago Lamp2 from One year On.

Part 1: 27 to 30 June | Part 2: 4 to 7 July Business Design Centre, Islington, N1

The cream of the crop of this year’s design graduates unveil their remarkable talent at the New Designers show at the BDC. The exciting presentation is a two part event introducing the very latest ideas and emerging trends across a host of design disciplines. Part 1 displays contemporary applied art – ceramics and glass, jewellery and metal work alongside directional textiles, fashions and home accessories. Fresh ideas for furniture and spatial design, including interiors and architecture, are juxtaposed beside innovative product design in Part 2. Strong visual communication incorporates graphic design, illustration and multimedia.

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Artangel and Living Architecture Present A Room For London Part of the London Festival of Architecture


5 July 2012 at The Hub Kings Cross, 34B York Way, London, N1 9AB 18.30 – 20.30 FREE
A free talk with architect David Kohn, Chairman of Living Architecture, Dickon Robinson, and Artangel Co-Director, Michael Morris about A Room for London.

Perched on the roof of Southbank Centre’s Queen Elizabeth Hall throughout 2012, A Room for London is a one-bedroom installation bringing together architecture, art, writing, music and ideas. A space for rest, thought, reflection and play, it marks a major collaboration between Living Architecture, Artangel, Southbank Centre, the architect David Kohn and artist Fiona Banner.
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E20 12 UNDER CONSTRUCTION Opens Today part of The London Festival of Architecture





June 26th to July 8th 2012
The Crossing, The Granary Building, 1 Granary Square, King’s Cross, N1C 4AA
A visual exploration of the Olympic development by Giles Price

‘E20 12: UNDER-CONSTRUCTION’ – a stunning visual essay by British photographer Giles Price will be exhibited as part of this year’s London Festival of Architecture, featuring within the festival’s King’s Cross Hub Showcase. Taken over two years in the run up to London 2012 – and the only set of photographs to document the development’s progress in this way – the essay sees Price combine a series of exclusive, large-format and minutely detailed, aerial images of the Olympic Park, with arresting portraits of its workforce.
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Emerging Brands at 100% Design: Julio Thomas #4


This year 100% Design is strengthening its commitment to international young designers by creating a dedicated area called Emerging Brands at this year’s event.

To highlight this great support to emerging designers over the next few weeks we will be interviewing five of the designers chosen to exhibit at Emerging Brands at 100% Design 2012.

#4: Julio Thomas

What made you want to become a designer in the first place?
Insatiable curiosity compounded by obsessive attention to detail.

Where and what did you study?
I studied architecture. I got my degree from the Mackintosh school of architecture in Glasgow and my masters from Brighton University.

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